COUNCILLOR

We would meet once a week and
Discuss things I’d stolen
Not necessarily items but
Memories and
Perspectives
She pulled out a few
Classics
Like
‘did your father ever beat you?’
No, oh wait
Yeah
I remember once
The natural history museum
Climbing into the dinosaur exhibit
To talk to the red velociraptor
Dad climbed in also
And pulled my shorts down
Slapped my behind
Soundly but..
‘Well that’s all we’ve got time for today’
She got a few laughs
And I got catharsis
Cheap daytime comedy

CRYING SHAME

He cried all the way from Glasgow

To Cornwall

Even at the interchanges

He was a twenty three year old

Hangover in the day

But in the nights he was good

He made electronic music

Stuff with blips and keyboards

And a tube stuck in his mouth

Like a bird half way through

Swallowing a worm

I could not understand it

But many people got the trick

And he was interesting to watch

But we were in the day &

I could not stand him this day

Both of us were hungover, him

Doubly so.

We were about to get on the train

Connecting us to Padstow

And he sighed and did that double inhalation

Thing that people do when

They’ve been crying for a while

His backpack became stuck in the big plastic doors

And he wiggled himself out

And the backpack fell off onto the platform

I have never had such a great belly laugh since.

I LOVE THE SMELL OF BURNT PIGS IN THE MORNING

I was making him a bacon sandwich.

At the ugly plastic cloth table;

It had these stupid balloons on

I've always thought it looked like

A boring birthday party.

My granddad was looking into the past

His cataracts clouding over like two crystal balls

He told the story of the bomb shelter

Beneath the pig sty and running to it

The explosions and metal burning his eyes

Melting his ears and an endless choke

Getting in and feeling the earth rumble

As if at the centre of the world

Coming out hours later shivering cold

Despite the scorched earth and the strange

Smell of bacon in the air

He bit into the sandwich and smiled

As a red blob of ketchup fell

Onto the cracked white plate.

ODE TO WCW

old lover,
just to let you know
it was me
i ate the last
of your oranges
it was bitter
and foul
i mean
really bad
gross even -
sunlight on a hangover,

i hate oranges

LAST NIGHT; WE GAVE UP ON SLEEP

It’s night again
They rise so quickly now
I maintain there must be
More dark blue nights
Than days
A warm breeze rustles
My long brown hair and
At the same time
Rubs against the leaves
On the trees
That are so many
Shadowy cut-outs
From colour
Picture books
Next door
Someone is listening
To a recording of a squeezebox
And there is the rattle
Of slow cutlery
There is no smell in the air
Save heavy green
I don’t know what they’re eating
I don’t want any
I would like to
Melt into the air
Quicken the skin shedding
Till I’m floating
On that breeze
Carrying sirens, laughs
The heavy green,
Making other people
In this long night
Want to be a part of it
Baudelaire said something
About man wanting to be
At the centre of the world:
See you there

THE THEMES OF PARENTS, BIRDS, GOD AND PIZZA IN POETRY

I saw the best minds of my generation

Sitting down, eating pizza

Watching Seinfeld,

Eating at faux-Japanese

Restaurants, riding down into the valley

Of the 6000 other hyped-up chains

Riding out, pockets empty, bellies full

With no taste on their tongues

Save disappointment.


They wandered lonely as a cloud

Now all it does it rain rain rain rain, rain

And there’s water water

Everywhere and not a drop to drink

Because everyone in the bar

Is on the beers tonight

(April is the cruellest month

On our wallets and purses)

And the shadows of waxwings

Are ignored as they dart

Inside the window panes.


Jules pipes up ‘my eyes,

My eyes have seen the coming

And going of the lord’

She sticks her tongue

Down the barman’s throat

All guttural he speaks,

‘How do I love thee?

I don’t.’


Things fall apart; the centre cannot hold

All the tired bellies filled with drink.

The bar filters out

And only the owls remain

Tonight, there's me

And the old men

And they're chanting

'God is my father

But where is mother?'

I hear a cry from the Hull

'They fuck you up,

your mum and dad'

Larks, shut your mouth

and have a seat.


IT DOES NOT COME LIKE IT SHOULD

All firey truth and hot iron,

It comes like a green faint

Or a pass-out from drinking feverishly

The hot iron cooled black in

Pondwater.

I can no longer see

You in the cinema

I can no longer lie in bed

Stick the reel on under my hair

And in my ear

And watch you move

There are photographs

Stills that might be you

Or might be someone else

Probably your head

On a different body

The bed grows deeper.

In my mind,

You are a gallery of sores

That I will enter

Only once a day

And it is currently

That wet black

Hour

MENSCH

‘Like bees. Like bees with their black hive minds striped with yellow thoughts of Queenie.’ From the city square bus stop where the last bus had left hours before he watched the few stragglers prop each other up as they struggled on through the white city. Drunk on nectar, a lone worker bee sat down next to him. They sat looking at each other for a couple of minutes, the time could be told from the visible exhalations of both parties and when our protagonist hit him across the face the drunkard fell quite quietly, all sounds softened by the compacting of the thick, carpeted snow beneath him. Our hero flipped the drunk onto his front, took his shiny long knife from the top pocket of his blazer and with the steady hand of a carpenter, opened up the drunkard’s tracksuit top and his rear muscle and flesh. He swallowed down the innards with a sour face 'this one was definitely a smoker' he affirmed. He threw what he couldn’t devour into a nearby black bin. Voices echoed round the square, he climbed calmly inside the newly made man-suit and sat back down on the bench. Another drunk came round to the front of the bus stop, bleary eyed he stumbled onto the bench next to the man. ‘What bloody hells gone on here Joe?’ he blurted out. ‘Looks like you’ve been spewing your guts’. The man in the man-suit worked the mouth with precision, ‘red wine’ he said. His friend nodded, ‘Let’s go eat, bloody starving’. They walked together to a nearby kebab shop where Joe’s friend ordered a chicken kebab that looked like the contents of the aforementioned bin. Joe’s amicable buddy did most of the talking in-between tearing into his spicy orange dinner. Topics ranged from ‘The bloody environmentalist shits at the city council’ to ‘bloody fucken call centres’. They went home together and what once was Joe sprawled out on the couch and stared at the ceiling.

At around midday Joe’s friend came down from his bedroom and started making a fry-up, Joe went into the kitchen and sat at the breakfast bar and listened to him air his thoughts on the gross amounts of pussy in the club the previous evening. Joe thought about cats, he had a real soft spot for cats, especially Abyssinians. Bored of conversation and lost in his feline world, Joe sprung up from his seat and seized the sizzling frying pan. He shook it; the cheap fat sausages rolled onto their grey, uncooked side and made popping sounds in the pan. He put the frying pan back down and watched Joe’s friend butter the toast. ‘Are you going to work today?’ asked Joe’s pal over their grease sodden breakfast, ‘No.’ He looked at Joe with concern in his plasticky blue eyes and nodded. Joe’s friend finished his breakfast, pulled his tie up, looked at his obtuse, cleanly shaven face in the polished mirror and walked out the front door.

You can tell a great deal about someone from his or her bathroom. Joe’s friend, whose post on the kitchen table referred to as Michael Weatherbottom, had a wonderfully immaculate ensuite. The sink’s obsidian base and the bright silver taps shined in the warm white light of the halogen-lit, fitted square glass floor. Clean, furry white towels were neatly folded on the radiator rail; compartmentalised shaving, tooth brushing and grooming sets were prim and proper in the mock-mahogany mirror unit. Joe noted all these things and headed down stairs. On the final step, the front door opened and a young, brunette woman entered, she jumped backwards ‘OOO’ and then the recognition of Joe lit up in her face. ‘Oh hello Joe, you gave me quite the shock, Mr Weatherbottom didn’t tell me anyone would be here’. Joe nodded, tried to smile as the side of his face sagged and said in a voice, not unlike Joe’s voice, but a little deeper ‘Don’t mind me’. The woman went into the kitchen and Joe followed. He leaned against the breakfast counter and watched as she bent over to pick up a broom. ‘What can I do?’ he asked, her head revolved from her bent position ‘What do you mean?’ ‘Well, what can I do to help?’ her brow furrowed and she said, ‘I suppose you could hoover the floor if you wanted to help’ she pointed at the kitchen closet. Joe opened the closet, took out the vacuum cleaner, plugged it in and began on the kitchen floor. ‘What do you think about Cicero and Piny the Younger’s conception of the Humanitas?’ asked Joe but the roar of the hoover drowned the question. He watched the tornado of dust and hair churn in the cleaner’s transparent belly and looked pleased with himself.

After he’d finished the hoovering, Joe dusted the coffee tables, hung out Michael’s washing, polished the already sparkling mirrors and cleaned the shower. They both focussed on their work and didn’t speak. The cleaner gave Joe many side-glances from her amber eyes and he noticed most of them. When the already immaculate house looked that little bit more perfect. The maid brushed her hands as if to say ‘that’s-that’. Joe stood with his hands on his hips and smiled. She walked over to him and said ‘thank you so much’ and whilst talking, she moved her head into his face with puckered lips. Joe bent backwards ‘What are you doing?’ he asked. Her puckered lips tightened and became a pout, ‘Sorry’ she said. He shook his head and helped himself to the glass bottle of skimmed milk from the fridge. The fridge was quite dirty with tomato, mustard and a whitish sauce Joe couldn’t identify, all stuck to the door. He cleaned the inner door with the kitchen sponge and a long spray of Dettol and then closed it. On closing it, the cleaner ran at him and slammed his head against the refrigerator door. He knelt down and held the back of his head as a volley of fists rained down upon his back. The front of his head began to slide off and he fell to the floor and watched as the maid’s foot grew in size as it built up velocity towards his stolen face.

PARTY SIZE

How big are you she says
Flicking ash in my face
And she’s right too
I’d like to
Eat that cigarette
I’d like to
Do a lot of things
I’d regret too
I put my arms around her neck
And squeeze
The little light goes out
She goes weak at the knees
She goes
Knocking on deaths door
She goes on to somewhere
I can’t get to her no
Now I think
I think
This is a party
There’s you and
There’s not you
And there’s not you
And that’s me
This is a party
And I fit
Party size

THE SONGBIRDS ARE SILENT NOW

Mmm you sure are ex tasty
A neon heart-flashing boot
Kicking my insides to mush
You got the cold baby bite
Of a heartbeak
Injecting cock codes
Into slimy tar veins
Lovers spit in my gums and
A hangover strobes my jeans
Somewhere there’s a tonsil party
And I want into your book
Sticking it hard in every leaf
A shopping novelist
Needing new stimuli every night
It’s not over till I’m under cover
A sneak thief
Stealing from your diamond bed
And, the songbirds are silent now
The cheeping just sounds cheap

HUMAN HAIR

Between scowling at
The mirror
And picking up the razor
I think about growing
A burly gorilla beard
To remind others
I am still an ape from
The floor
up
152

Pounds of flesh
Picking and eating
Scabs and other men
Warring internal gods.
I look again,
Everyday would
Fall apart
With facial hair
And besides,
No girl likes to kiss
Wire brushes

DYSCALCULIA

12:
Five Forty Five on
Results day
In trouble at home
Scuffed my shoes and
Dad gets home from work.
He hears the foul news
‘Jack, you need to learn boy;
You are the sum of your days’
I shut up,
Dyscalculia
I can’t count,
All those stupid
Burnt plastic miles
Behind me
I grow a little
‘Dad,
I’ve failed at maths’

DANCE PARTNERS

From the moment you
Opened the seven foot
Door and swaggered
Across the room, I knew
I wasn’t going to like
You. A mutual
Friend gives an
Introduction.
You go in
For a handshake
In times gone
By, this was
To confirm the other
Was not holding a
Weapon. I keep
My hands
By my side.
Your hand wavers, then
Falls.
There is a
Nod. Acceptance.
Later I am talking
You creep up
Next to me,
I say something
Funny,
No not funny but
Laughable;
You lean back
And give a belly
Laugh, patting me
On the back.
Is this to show me
You are
A devious prick or simply
A gesture of friendship,
Cordiality, that makes
Up for the missed
Handshake?
In school I might have had
‘Kick me’
Slapped to my back.
I instinctively check.
Now it appears to you
That I am disgusted with
Your touch. You
Raise your lips in a weak
Smile and
Exit. A wounded animal
Caught
In conversation

BONE DANCE

I saw you eyeing up that skull

And by those old gods

You looked wonder-full

My bones shook in the ossuary

From the cold night breeze of January

You had glowing skin

I wanted to look in.

You melted white

As the moon

And I hummed a simple contrite

Little tune

That was drowned out by the spirited wind

And against the leftover rib cages we were pinned,

Lunar white glowing skin

I wanted to look in.

I took the trouble

To get to know you well

But the trouble

Was watching those lips

Not the stories you tell

Our teeth chattered in the ossuary

From the cold night breeze of January

You’ve had glowing skin

I wanted to look in.

LOOK HERE: THIS ONE'S STILL MOVING

Charlotte and I

Sit outside and burn

And eat cheeseburgers

And watch the passers

By Liverpool St. Station

The animals in

Fancy dress shuffle along

They do not look

At each other.

Charlotte, her mind

fast as trains

that stop for no one,

‘They are scared of change’

She says with no malice

I nod.

Faces looking

At the pavement or to the past

‘Heads so big,

They cannot turn them.’

I nod.

She takes a photo

I write a poem

And we’ve both bottled

Something in our bug jars,

We just don’t know what.

UPON THE HILL

I am on a horse that I cannot ride

And death is coming but I have not died

Behind him there is war and horse, he guides

Famine and pestilence; grinning like cadavers

Up upon their horse’s hide

For four ride in the four ride in

Plague points at me and asks ‘how goes the human race?’

‘Not bad’ says I ‘But we’re still in last place’

War laughs and a malevolent smile runs across his face

‘It’s good to know you haven’t given up the chase’

And then he rides out and the bombs fall in his wake

Over a school, the children ring each other’s necks

And the teachers’ bones they break

The hippy’s lovemaking rituals become a rape

As across the darkening globe,

Each other’s white brothers turn into green snakes


Then pestilence rode out but with less pizzazz than war

He crept into buildings

Filled the occupants minds with a particular horror

That a flesh dining disease skulked around the streets

And the world boarded its windows and locked all its doors

Famine licked her lips and out rode the last of the four

And after her appetite had been stirred

The first world’s cheeks mirrored the third

Death waved goodbye as its horse he spurred

Ready to give the world

Alpha and omega: its his and hers

And with the last seen setting sun

Cities burnt with the force of megatons

No man had anywhere left to run

And after their task was done

They returned to the hill that I was upon


‘Now’, said Death ‘doesn’t the world look to be in better health?’

I nodded and asked whether in life I should have accumulated spiritual wealth

‘Nahhh’ its jaw chattered ‘you were always fucked -

Everyone above knew mankind would eat itself’

ONE FOR MELVILLE

I wore
A tuxedo
And felt like
A thousand pounds
Were in my pockets
And I had
Sunk to the bottom
Of a mud-green pond
I slept
On an electric
Inflatable mattress
And it sunk
In the middle of
The dirt green night
I dreamt
I was in the belly rolls
Of a gigantic
Fat woman
Suffocating in
Her sweat
And in her
Pink blubber
Experience
Has taught me
Not to get
Dressed up
For anything

MUSIC REVIEWS


MANTILE DREAMSCRAPS (RE)MUXCUTH

VICE MAGAZINE REVERIE

HOLY HEAD FLOATING DOWN THE GUTTER

You’ve raised your glass

And your face

Up to an unlit sun

Crucifixes nailed to your

Cuticles

From mindlessly scratching

At the tables in bars

And worse,

I’ve always felt

When the night birds sing

From their

Mellifluous cages of blood;

Trumpets regaling the beers

The night before

And the nights before that

But tonight,

The will to write

Is not as strong as

The will to sleep.

MOTHER SCULPTOR

Giacometti

Called his women

‘spaghetti’

The reason for the

Spindle stalk legs

And ears of corn bodies

Of his women

Was the stripping away

The cutting down

Of everything

Right

Down

To

Its

Core.

I could see his

Mother saying

‘if you keep

Carving away

At everything

Soon there will

Be nothing left’

To have nothing

Is to be weightless

Free

Of everything.

Stripping, molding

Whittling and hacking

at the universe

till it is reduced to

an intelligible size.

That is why

The best sculptures

You will never

Ever

See.

THE STORM

I know I aint much good looking love

But try giving my request a ‘No’

I think I’ve got a look on me

That bruises even shadows.


It’s a nice night to be out in a storm

I got a cold head, my hands are warm

It’s a nice Night to be out in the storm

I got a cold head, my mind’s a-swarm

With all the stuff I could do to you

But I’ll just stand here

On my bones I’ll chew

Down by the canal

Down by the water

It was getting so banal

Until a cyclist I caught

And I threw him down

Into that flowing bed

He isn’t sleeping darling,

Darling he’s dead.


I ask you now with open arms

Are you going to stop shivering and be calm

And I ask you now

Without cold knife or warm gun

Are you going to be my only one.

DEVIL, GROW SOME TEETH

I was sat in an empty office

11 flights up

Next to the window

With the telephone off the hook

Waiting for it to ring.

The sun: a milkman

Leaving glass bottles of orange

Outside my closed eyelids

Hot as hell and happy

These are how workdays

Should be spent.

Daydreaming last summer

Swimming in ponds every day.

I hear a tapping, I

Ignore it. Get back to summer.


BANG BANG BANG

The lucid summer

Slips and I open my eyes.

Outside the window

A toothless man,

Warped behind

The greasy window;

Swirled in suds.

He smiles and when he notices

He has disturbed my

Little piece of heaven,

Laughs aloud

And moves down

On his electric box

Out of sight


I put my feet

Back on the desk

Lay back in the

Cool and comfortable chair,

Cannot get comfortable

The sun shoots bright red

Bolts at

My closed eyes

Phones begin to ring

Around the office -

I met the devil once;

No fire

No brimstone

Just a silent laugh

And the profound ability

Of getting one's back up.


HOME ECONOMICS

We stared

Into the grate

Your eyes

All aflame

Cooking on the hot logs

And ‘I’ve seen myself

Falling into something like that

With purpose’

Plath-esque death

Darling,

But you need to go

Slower

Take a pill

And enjoy

The warmth

WE WALKED AROUND THE SCULPTURE

Trying to find

An entry point

No, no

It looks like

A croissant but

Sick coloured

The next:

A key on a string

Captioned ‘All the locks are broken’

I worry if my fast blue bike

Is safe outside


Then a Rothko

And I like Rothko

Prints don’t cut the jam

You need the viscosity

With Rothko

I look into the red maw

And I can see the hell

He’d been living in

The painting

Stains my eyes;

The town is

A little more red

CRAB MEAT

She’s leaving tomorrow

And it’s our last meal

An empty bottle of red

Sits proud

On the table

We have yet to receive our entree

I have a toothy smile because

I know this is the good life.


Her plate comes piled

With breadcrumbed fish

And one huge red pincer

In some primordial,

Emerald sauce

She picks it up

With her hands

Takes the crab cracker

And crushes its hard arm

Green flies across the restaurant

The noise is wince-worthy, the

Clicking and cracking of bone shard

She looks delighted

And sucks the meat out

With a long metal straw


My fish soup

No longer appeals to me.

I want

A monstrous,

Brick and carmine

Coloured lobster

And a silver set of

Claw crushers

YOU MAY GET VITAMIN A FROM THE SUN, BUT IT’S THE COLD DAYS THAT MAKE YOU TOUGH

We were in

Hysterics.

The low red

Sun gave

Her shadow

A long, long

Neck.

I called her

‘Inhuman’

And she stopped

Laughing.

‘I mean your

Shadow’

She eye’d

Me

Cooley.

‘But it’s not

Really

You, is it?’

She rubbed

Her neck and

Glared and

With malice,

Stood Hard

On my

Dark friend.

YOU ARE AN ICE QUEEN AND ONE DAY YOU WILL BE SLUSH

'I do not
want to go
to the party
if he will be there -
is it rude to
tell him
to stay away?'

'Yes, yes
yes it is but
it's one moment
of feeling bad
verses a whole
night of feeling
much much
worse'

'Yes, this is true'

'I know it
to be true -
I speak the
truth twice
per day, this
is once and
the other
will be later
when I have
my daily meeting
with
the toilet bowl.'

TEETHING

He put his

Lips up

To the glass

And blew.

I could see

The contents

Of his mouth.

Yellow tongue

Dirty sock

Teeth

And white gums.

I have to admit,

In my white shirt

He could have

Mistaken me for

His dentist