EARTH DIVER

Pitching a plan to the dark

It is swallowed noise word

Plan and all


A bird condenses out

Of the darkness and I say

Sparrow


The word wraps

Around the small body, the sound

Rustles under the feathers


Shucked from night

The naming

Paints the thing


If not before

This soft corpus

Is now sparrow


The beak chirrups

It has its own call

The dark takes it


Like my plans, the yoking

Of All That Is Now

Vainly passes by


The earth diver

Returns empty mouthed

With a song in the beak

ROYAL JELLY

We had been asleep

On hot stones

Lulled away from

This world by the chirp

Of the horny cricket


Or our bellies were

Hot stones

Jutting out of the lake

Shiri spluttered surfacing

Said she could hear our

Hollow bellow


We lay like flies

In her majesty’s royal jelly

Basking in time and sun

Preparing for our departure

Our goodbye to the colony

NIGHT AT LAST

Night at last

A good silence

Brandy light on

Fossilised cars


The only movement

On the empty street

Out past the lamps’

Faithful burn:


Patches of burnt

Pockets of dark

That the dead

Come through


The scorch marks on

A branded brain

Shadows of memory

Pleasant to the touch


On the gloom boundary

Wisps in deathmasks

Of some, still living

And others –


The street quivers

With a passing car

The dead dissolve

In the arc light


They shift behind the red

And push the beams onward

Like bodies and relics moving

Beneath the disturbed earth

BRACKISH CONCLUSIONS

Entered into the Lightship Poetry Competition 2012

WIND OF OAFS

This is no boreas

No king east No

This the bitter breath

This the lung of lout


Harbinger of a world sneeze

Hear it kick cans and spit

In the grey faces

Of early morningers

Black bags like the fruit of flies

Torn open rolling metal and board

And bonesshards into ear drums

Of unconscious

Women behind windows


This is no spring zephyr, no spritely ghost

It moans as a child then pile drives the door

Street cleaning dung beetles

Scuttle to restore balance

By one, A Good Day is wished

And the words

Are torn

From his teeth


Hermits pass in their shiny shells

In condensed warm air

And the stink of leatherette

Their softness rocked by radios

But Have No Fear, they will.

They will crawl out soon

Joining us in the din

All awake and not

Shall hear the roar

FEATHERBRAINED

Lying in the long night,
with her thread between my teeth
pillow and head, knitted
and purled together
all is quiet looped in quiet
the moon is featherbrained

In a doze, I reach into darkness
In the cold air, warmth
I think I feel a touch,
a soft rippling of skin
with fingers to caress
the sheet shared again,

Hand held out, lingers
too long: the body erupts
scattering upwards like a cloud
of crow
nobody I know

GIN JOINTS

There is no spirit other than the wind

Coaxing the pine cone that opens

In the dry sweat of the afternoon

Spent with the endless drip drip

Of the coffee pot and the drip drip

As the measures of various clear

And brown liquids complete each cup

And to look up after a rose chafter

Swaggers along the blue veined hand

And watch the emerald conifers nod and

The hair of the willow in the garden

Strokes the fronds of grass beneath them

And a glimpse is caught perhaps

Of a house behind where no house is known

Or the bare belly of a woman darting

Where no woman should be, could be known

And to follow down that wet green road

Well you might never return

But that maybe just the gin talking

Then again this is just the gin seeing

Genies in everything

WINTER'S SUN

A far flung globule of spittle looking neptune green stings the pavement on the threshold between his morning door and the outer morning and he is otherworldly today; working on the buttons of his coat with fingers like oak roots taking small forevers to thread the whorled catches through the stitched slits 'good morning' a passerby on this thin stretch of grey raised street grunts as their shoulders touch and he flubs an answer to his state with the same though it is not true. The scum of streetlight froths on his shiny black shoe and his mouth warps an expressive moan. He becomes less than oak more papery thin the tissue undefinable pulp on the cold wetness of the paving slabs. They seem to quake beneath him, loose as dream teeth, and proceed to slide open like recumbent crypt doors as if, were he less prepared he might slide beneath them interred in some permanent personal sewer or forgotten mausoleum.


Both eyes glint at the weak winter sun and he almost trips over the blue cocooned legs of a street dweller, they look upon each other and the automaton of the gritty left hand rises towards him. He checks his mental clock for his hour of lateness, he is already out of time. His imagination whirring wildly for a worthy excuse to explain his protraction for another Monday, so much so he cannot consider a worthy excuse for his lack of alms. He sits. They stare. Placing eye on eye, watcher on watcher. It is a cold day says the streetman as his eyes dribble down our Worker Bee's collar. His head nods. 'I've been on this street for as long as the cement in these roads and it has never been this cold' His head nods. 'But then again I believe I've said that every year, hotter summers and bitter winters. I suppose this one seems colder as I've got no music.' Worker Bee asks what he means by this. The man holds up the wood and wire of what once was a guitar. The brown neck is intact and the rest is far from. In a crash between cyclist and juggernaut and the rider is taken beneath the wheel; this would be the leftover; the indecipherable abject body known only as human by the scruff of the vertebrae.

Care to tell what happened?

The streetsleeper's eyes glaze over, sure; was hanging out here playing a funny number about a one legged syphilitic dwarf and had the tone and rhythm broken over my head by a cloud of angry young birds. What they were so angry about I could not tell. Maybe my caustic troubadouring was too close to home. Worker Bee nodded, our itinerant went on, 'we are in a strange time, not that we haven't been before. I've never seen the city so worked up and I'd be one of the ones to have seen it. I have always seen our country, our speck of dirt in the blue as this clever apiary, more particularly a concrete hive when I'm concerned with London. Lately it's as if the bellows from the bee smokers have stopped pumping and the bees, shaking their furry little heads have begun to wake up to the coldness and in their new awareness, they are to swarm. Now, I know every man likes to think he is living in the End Times or that juncture of history where there may be no following and maybe I am not saying that; but there is a togetherness coming and it is a rotten one; a... - Mobile Vulgus? Worker Bee chimes, yes the nomad says, the cult of the mob.


A droplet explodes at his foot and ripples out in the reflected sky, he wonders if this is the first to fall, vanguard of new cloud joining its kin and the un-kin of grit and sewer water summoned from the bowels of the city. Who could tell of its significance and its cardinal position upon exodus? Would it take a ranger of old or something more absolute? A god in its fat omnipresence perhaps? The sheer absurdity of such questioning makes Worker Bee map his own being onto this fallen bead, where is the I in the dirty flood of a thousand, speeding through space at velocities unknown? He shakes his head. Better to concentrate on his feet, placing one in front of the other, avoiding the cracks as he was habit to do as a child. After these many years of growth, he still realises the little pleasures in his circumventions.


He studies his timetable, the cyclic routine of week on week that he has warped on this odd-morning, his office would not want him now. And maybe not tomorrow he hopes in his secret parts.

He takes the short route back home, down the alley where he is sandwiched by high wooden fences and on the other sides of these ramparts stalk two mad dogs baying and barking at his unseen presence. He pushes on a knot in the wood and it falls through, he looks through and spies a giant Newfoundland panting on the other side, Boatswain against the boards. He continues on with no other thought but his feet till home.

He closes his front door, shutting out the sound of the pushchair babies and mothers on their mobiles singing hymns and screaming at their other halves, he takes off all his clothes and climbs beneath his duvet. The world outside the window shuts itself down, he enters oblivion.

THE MESSAGE

We must send a clear message:
That someone still has
The helmet
On and someone has
A blade at the back of progress
We are childless and no longer children
And our letters go unanswered so
Let us paint the map with a thousand X
Show them we still search for the treasure
Worse than iron better than gold
They have forgotten us:
The calm colossus so now we
Must don our party hats
Turn on the lights
And use the glare of the sun
To tear out the eyes of our enemies
Now my friends dribbling
With vision can we get a handle
On the front door